JP
ARCHITECTURE

Hachinohe Art Museum

NISHIZAWA Tezzo, ASACO Yoshihide, MORI Junpei

■Exhibitions featured in the video
※01:00- Installation view of Hachinohe Art Museum Opening "Gift, Gift,"
※01:07- Installation view of ASADA Masashi's works during Hachinohe Art Museum Opening "Gift, Gift,"
※06:38- Installation view of TATSUKI Masaru's works during Hachinohe Art Museum Opening "Gift, Gift,"
※06:45- Installation view of Hachinohe Art Museum Opening "Gift, Gift,"

■Other Notes
※04:13 Katsuya Iwasaki (b. 1964) is an architect. He works as the Head of the Architectural Design Department at Nikken Sekkei Ltd.
※08:35 The official name of Hachinohe City Book Center is Hachinohe Book Center.https://8book.jp/

video translation (PDF)

About the Architects

NISHIZAWA Tezzo

Born in 1974 in Kyoto, NISHIZAWA Tezzo received his master’s degree from the Department of Architecture, Graduate School of Fine Arts, Tokyo University of the Arts. He then worked for Jun Aoki & Associates, where he was in charge of projects that included the Louis Vuitton Ginza Matsuya store and the Aomori Museum of Art. He established Tezzo Nishizawa Architects in 2007. His major works include a redesign of the collection gallery of the National Museum of Modern Art, Tokyo (2012) and the Kyoto City KYOCERA Museum of Art (2019). Nishizawa has also designed many exhibition spaces, including Reading Cinema, Finding Words: Art after Marcel Broodthaers (2014) and Re: play 1972/2015 – Restaging “Expression in Film ’72” (2015) at the National Museum of Modern Art, Tokyo, Kon Wajiro Retrospective (2009, Panasonic Shiodome Museum of Art, Aomori Museum of Art), and Syncopation: Contemporary Encounters with the Modern Masters (2019, Pola Museum of Art). His awards include the 2020 Kyoto Architecture Award, the 30th AACA Award, the 62nd Mainichi Arts Award, the JIA Grand Prix 2020, the AIJ Prize 2021 [Architectural Design Division], and the Japan Federation of Architects and Building Engineers Associations Architecture Award 2021.

ASACO Yoshihide

ASACO Yoshihide is an architect and editor born in Kobe City, Hyogo Prefecture, in 1972. He established Takaban Studio in 2007 and founded Contectures (now Genron) with AZUMA Hiroki in 2010 before leaving the company in 2012. In 2021, he added a publishing arm to establish a new company, PRINT AND BUILD, and released the company’s inaugural book, Design Today: Contemporary Design Interviews, written by TSUCHIDA Takahiro. His architectural works include gray (2015), and his essays include “Interior Design of Comme des Garçons,” featured in Shiso Chizu Beta Vol. 1 (2010). He is also the co-author of What Rem Koolhaas Changed (2014). Asaco specializes in urban research and design through the lens of commercial spaces, and he has supervised the planning of “Tokyo Interior Tour,” a study of urban storefronts, “Tokyo Design Ten,” an exhibition that looked at Tokyo in 10 years’ time from the viewpoint of design, and “The Future of Public Toilets,” an ongoing study of public spaces (2017 to present).

MORI Junpei

Born in 1985 in Malaysia, MORI Junpei received his master’s degree from the Department of Architecture, Graduate School of Fine Arts, Tokyo University of the Arts.He has been considering time from an architectural perspective since he was a student and continues to pioneer projects that facilitate new stage designs, exhibitions, and community development. Since 2013, he has been based in Matsudo, Chiba, where he established the artist-in-residence PARADISE AIR to welcome artists from around the world to live and work in the city. He has worked with Tono Off Campus since 2015 and has served as an Assistant Professor of Architecture in the Faculty of Fine Arts at the Tokyo University of the Arts since 2017. He also serves as a designer and director at the Learning Center VIVA (since 2019).

Architecture Data

Opened
2021
Architects
Tezzo Nishizawa Architects and Takaban Studio Joint Design Venture
Room Name
Giant Room, White Cube, Black Cube, Collection Lab, Studio, Gallery, Meeting Room,
Workshop Room, Atelier, Tea Room, Multipurpose Room
Site Area
6,732.14m²
Building Area
3,080.21m²
Total Floor Area
4,586.42m²
Number of Stories
3 stories above ground
Topmost Height
19.12m
Structure
Steel Frame

External Facing

_Exterior Wall
Extruded cement panel, Colored galvalume

Interior Finishing

_Floor
Giant Room: Short fiber reinforced concrete
White Cube: Oak composite flooring
Studio: Veneer laminated flooring
Collection Lab, Black Cube: Loop pile tile carpet
_Wall
Giant Room, White Cube: Plaster board
Studio: Lauan plywood
Collection Lab, Black Cube: Plaster board

Curator Column

‘A Museum Shaped by People’

The current-day Hachinohe Art Museum opened in 2021 after complete renovation works were completed on the building.

The concept behind the new museum is ‘an art farm for new encounters and learning.’ By fostering connections through art, we nurture individuals, and those individuals help shape the community. The museum focuses not only on the artworks as objects themselves, but also on the events and activities driven by people and projects and thus embarked on a new journey with a vision of cultivating the city for the future.

Museum Exterior ©︎Daici Ano

The complete renovation not only enhanced facilities like the exhibition rooms and museum storage but also incorporated a design that aligns with the museum’s core concept. The interior is divided into two main areas: the Giant Room, which facilitates a wide range of activities, and a series of specialised private rooms surrounding the Giant Room. In the following, I’ll talk a bit about how the spaces are being used, along with some personal observations.

It could be said that the most distinctive feature of the Museum is the Giant Room, a flexible space where movable shelves, curtains, and furniture can be rearranged to create different settings. Since its opening, the room has hosted a variety of activities, from performance projects and talks during the Hachinohe Art Museum Opening Gift, Gift, to tea ceremonies held alongside the Sustaining the MONOGATARI – Talk, Connect Grow Hachinohe Art Museum Collection, during which no partitions or barries were used on certain days, creating an open, unstructured space alongside the artworks.

Tea Ceremony with Silence Held Alongside Exhibition in the Giant Room

White Cube, the main exhibition space among the private rooms, is surrounded by five-metre-high white walls, providing a versatile setting for displaying a wide range of artworks. Initially used for a spatial contemporary art display during the Opening Exhibition Gift, Gift, the space underwent a transformation for the Sustaining the MONOGATARI – Talk, Connect Grow Collection, where the museum’s collection of oil paintings, watercolours, calligraphy, and more, with a focus on wall-mounted displays. With the use of temporary walls to alter the room’s layout, visitors can expect the atmosphere to change significantly with each new exhibition.

EGASHIRO Makoto’s《What Remains after Goodbye》from the Opening Exhibition Gift, Gift, ©︎Daici Ano
Exhibition View of Sustaining the MONOGATARI – Talk, Connect, Grow: Selections from the Hachinohe Art Museum Collection

The Collection Lab is an exhibition space of about 100 metres squared, enclosed by grey walls. Smaller in scale compared to the White Cube, this room, true to its name, is designed to feature experimental displays of collection pieces, incorporating a more dynamic and exploratory approach.

Next to the Collection Lab is the Black Cube, a space that can be darkened to showcase video works. During the Sustaining the MONOGATARI – Talk, Connect Grow Collection exhibition, it featured screenings of interviews with contributors to the collection, as well as displays of works created through school collaboration projects.

The Gallery serves primarily a space for residents to host exhibitions. It is equipped with windows that overlook the Museum’s Mae-niwa Plaza, and a 3.5-metre-high rotating wall. The operable interior windows allow for adjustable views and natural light, providing greater flexibility in how artworks are presented. As the community and its people continue to evolve, the exhibitions in the gallery are likely to transform as well.

Gallery 2 ©︎Daici Ano

In addition to the spaces mentioned earlier, the private rooms include the Studio, which features soundproofed, sound absorbing walls and a high ceiling; the Workshop Room, designed to foster creative opportunities; and the Meeting Room, which can also serve as a backstage or waiting area. Together, these rooms offer a wide range of uses, from citizen-led exhibitions to curated shows. Arranged around the Giant Room, these private spaces help create an environment that encourages interaction and collaboration.

The Hachinohe Art Museum was designed not just for showcasing artworks but to be a space actively used by people. For curators, it’s a space for challenge and discovery. In addition to the traditional museum model, which separates exhibitions from viewers, this museum encourages the creation of ‘events’ through human interaction – the question is how this interaction will contribute to the growth of the community. I hope you’ll keep an eye out for our upcoming activities.

HIRAI Mari

Curator, Hachinohe Art Museum. Born in Aomori Prefecture. Has experience working at the EDO-TOKYO MUSEUM, the National Living Treasure Museum, and the FUJISAWA UKIYO-E MUSEUM, she has held her current role since 2021. Hirai has curated a range of exhibitions, including The 3D Ukiyo-e: The World of Kabuki Kumiage Dourou (Paper Diorama of Kabuki) from the Collection of the SHOCHIKU OTANI LIBRARY (FUJISAWA UKIYO-E MUSEUM, 2018), The Complete Works of Hiroshige’s “Toukaido in Vertical Picture” Series (FUJISAWA UKIYO-E MUSEUM, 2018-2019), The Hiroshiges’ Landscapes: Hiroshige I, II and III: From Edo to Meiji Periode (FUJISAWA UKIYO-E MUSEUM, 2019), The Ukiyo-e Sugoroku board game and Seven Deities of Good Luck (FUJISAWA UKIYO-E MUSEUM, 2019-2020), Are they the most powerful?: the Tales of Warriors from Sagami Province and Ukiyo-e pictures (FUJISAWA UKIYO-E MUSEUM. 2020), and Sustaining the MONOGATARI – Talk, Connect, Grow Hachinohe Art Museum Collection.